In 2008 Young Chang hired noted American piano designer Delwin D. Fandrich to undertake a redesign of the entire Young Chang and Weber piano line. Highlights include extensively redesigned cast-iron plates, new string scales, and new rib designs. New directly-coupled bass bridges, along with unique “floating soundboard” configurations, improve soundboard mobility around the bass bridge for better bass tonal response. At the same time, a revised hammer-making process, in which the hammers are cold-pressed with less felt compression, provides for greater hammer resilience and improved tone, with less voicing required. Fandrich says that all of these features and processes contribute to his goal of building instruments with improved tonal balance and musicality, and provide opportunities to standardize manufacturing processes for better quality control. The new designs were phased in gradually from 2011 to 2013.

Along with being redesigned by Delwin Fandrich, former multiple piano lines were consolidated into just three lines: the Young Chang (Y) and Weber (W) series are entry- and mid-level instruments made in China, and the Albert Weber (AW) line comprises upper-level models made in Korea. The AW grands have lower-tension scales, maple rims, and Renner actions, and higher-quality hammer felt, soundboard material, and veneers (on wood-veneered models). The Y and W grands have lauan rims and Young Chang actions. The AW verticals use slightly better materials than the other verticals for the cabinets, hardware, music wire, and keys, though in general the differences are smaller than with the grands.

The Young Chang and Weber pianos distinctly differ from one another: the Weber models have a low-tension scale and softer, cold-pressed hammers, and the greater warmth and romantic tonal characteristics that often accompany that type of scale; the Young Chang models have a higher-tension scale and firmer cold-pressed hammers, and the greater brightness and stronger projection of a more modern sound. The Weber line, also known as the Premium Edition, also has agraffes in the bass section of the verticals, and beveled lids on the grands.

Quality control in Young Chang’s Korean factory has improved little by little over the years, and is now nearly as good as that in Japan. Most of the problems currently encountered are minor ones that can be cured by a good dealer make-ready and a little follow-up service, and the pianos hold up well in the field, even in institutions. The Albert Weber pianos, in particular, have great musical potential and respond well to expert voicing. Pianos from the factory in China, like other pianos from that country, have been uneven in quality, but in recent years have greatly improved. Young Chang says that Hyundai Development Group has upgraded the factories in both countries, and that the pianos made at the Tianjin factory are now on a par with those made in Korea.